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Composition
Composer(s)
Artist
Year Released
Chart Appearance
Artist
Year Released
Chart Appearance
Nickolas Ashford & Valerie Simpson
1978
1 (U.S. R&B)
1993
5 (U.S. R&B)


It’s not about notes, but about nuance. Chaka was an instinctual singer who attacked songs with urgency while Whitney, who had a remarkable ear, excellent range and a bell-like tone, basically did exactly what she was instructed to do. Both approaches have their strengths and weaknesses. I tend to respond more to singers like Chaka, but that doesn't mean that Whitney’s version is a clunker. Actually, her take on this classic jam is far from that. Let’s start with Ms. Houston’s version first.
It didn’t make sense to try to outdo Chaka, so Whitney set out to craft what feels more like a tribute to one of her singing idols. She had snatched songs like “I Will Always Love You” and “Saving All My Love (For You)” from the original artists (Dolly Parton and Marilyn McCoo & Billy Davis, Jr., respectively), but stealing from super singer Chaka would not be easy. A teenaged Whitney had sung on Chaka Khan’s “Naughty” album and surely was awed while watching Ms. Khan scream the daylights out of every single song on that record.

Even back then, Whitney probably knew that she was a better technician of song than Chaka, but she also must have known that she could not equal Chaka’s manic intensity that came from her unique and hurried approach to performing a song in the studio. Chaka hardly spent much time with the lyrics and arrangements before laying down vocals, while Whitney and her producers labored over every aspect of a composition in order to get the most ornate performance possible. This tactic was employed on her cover of “I’m Every Woman”, but this dance track came out sounding more fun and less sterile than, say, “Love Will Save the Day”, her previous, by-the-numbers stab at making a gay club anthem. That song didn’t suck, but it didn’t provoke any orgasms, either.
Whitney Houston was not a soul singer, but neither is Chaka, per se. When she was at her best, she approached almost everything she did with the full throttled, knock-’em-sock ‘em aggression of a WWF wrestler, not too concerned about displaying “soul” or anything else. She was not afraid to go overboard on a lyric and sound imperfect as long as she sang the fuck out of whatever was assigned to her. For the “I’m Every Woman” sessions, legend has it that Chaka showed up super late and super high, but made up for lost time by learning the lyrics quickly and knocking the lead vocals out in one or two takes. Once the takes were done, she refused to do more because she was already ready to move on to whatever was next on her To Do List. It is this manic energy that makes Khan’s the definitive version of this classic.


“I’m Every Woman” Grade Report
Chaka Khan
Grade: A
Whitney Houston
Grade: B
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